What to Expect at a Drama School Audition
Nervous about your drama school audition? Here's exactly what happens on the day - from warm-ups to monologues to recalls - so you can walk in prepared.

Most drama school audition guides tell you to "be yourself" and "show your passion." That's not very useful when you don't know what's actually going to happen in the room.
This guide covers what a typical UK drama school audition looks like from the moment you arrive - what you'll be asked to do, how long it takes, what to wear, and what happens if you get a recall. By the end, you'll know exactly what to expect, which means you can spend your energy on actually performing rather than worrying about the logistics.
What Happens When You Arrive
Auditions are usually held at the drama school itself, though some schools use external venues for first-round auditions in cities outside London.
When you arrive, you'll sign in and be given a number or placed in a group. Most schools run auditions in small cohorts - expect to be with anywhere from six to twenty other applicants throughout the day.
What to bring:
Your audition confirmation email (printed or on your phone)
Any sheet music, if you're auditioning for musical theatre
Water and a snack - you may be waiting for several hours
A notebook if it helps you manage nerves
You won't usually need to bring anything else. Leave the portfolio at home unless the school has specifically asked for one.
The Two Main Parts of Most Drama School Auditions
Your prepared piece (or pieces)
Almost every drama school will ask you to perform at least one prepared monologue. Musical theatre auditions typically add a song. Some schools ask for two contrasting pieces - often one classical (Shakespeare or a contemporary of that period) and one modern.
A few things to know:
You may be stopped before you finish. This is standard. It doesn't mean you're doing badly - panels often have enough within 60-90 seconds to make an initial read.
You may be redirected mid-piece and asked to try something differently: faster, quieter, angrier, with a different physicality. This is a good sign. They're seeing how you respond to direction.
Panels have seen hundreds of the same monologues. What they're looking for isn't the piece itself - it's what you bring to it.
Choose something you genuinely connect with, not something you've chosen because it sounds impressive. Tutors can tell in seconds.
The workshop
Some drama school auditions include a group workshop session - either before or after your individual piece. This is often where schools actually make their decisions.
In a workshop, you might be asked to:
Play movement or physical theatre games
Improvise a scene with other applicants you've just met
Respond to music or images
Work collaboratively on a short task set by the panel
What they're looking for here: how you listen, how you support other performers, whether you take risks, and how present you are in the room. Applicants who stand out are usually the ones who give generously to others rather than trying to dominate.
How Long Does a Drama School Audition Take?
Plan for a full day. Most first-round auditions run between three and six hours from arrival to departure, depending on the school and the size of the cohort. You may have a long wait between the group workshop and your individual piece.
Bring something to read. Don't spend the whole waiting period running your monologue in your head - that usually makes nerves worse, not better.
What to Wear
There's usually no dress code, but there are a few practical things worth knowing.
Wear something you can move in. The workshop element often involves physical work.
Avoid anything with restrictive waistbands, heels (unless relevant to your piece), or clothing that you'll spend the day thinking about.
Don't dress to impress - dress to perform. Smart casual is fine. Turning up in a three-piece suit because you think it looks professional usually reads as someone who hasn't understood what drama school is about.
If you're doing a monologue that benefits from a particular style of clothing, a simple suggestion of the character is enough. You're not expected to be in full costume.
Recall Auditions: What They Are and What to Expect
If a school likes what they've seen, they'll invite you back for a recall - a second, usually more intensive audition with a smaller group.
Recalls feel very different to first-round auditions. The group is smaller, the panel pays more attention to each individual, and the work tends to go deeper. You might be asked to:
Prepare a new piece (schools will tell you in advance)
Work on your original piece in much more detail with a director
Take part in a longer workshop or devised exercise
Not getting a recall is gutting, especially if you've prepared for months. It doesn't mean you're not talented - it often means the school had a specific cohort in mind, or your strengths are better suited elsewhere. What you do in the next 48 hours matters more than the result: rest, reflect briefly, and refocus on your remaining applications.
Getting a recall doesn't mean you have an offer. Schools often recall more students than they can take. Go in with the same commitment you brought to the first round.
Schools That Don't Use UCAS
Worth knowing: some of the most well-known drama schools run their own applications entirely outside of UCAS. If you're applying to these schools, you'll manage those applications separately, on top of your standard UCAS choices.
Check each school's admissions page individually and don't assume the same process applies across the board. For everything that does go through UCAS, our guide to the UCAS process for creative applicants has the full picture - including the October conservatoire deadline that catches a lot of students off guard.
FAQ
Can my parents come to the audition? Yes, but they'll usually wait outside. A small number of schools have a waiting area; others don't. Don't expect your parents to be near you during any part of the audition itself.
What if I forget my words? Take a breath, find your way back in, and keep going. Panels are not looking for perfection - they're looking for how you handle the moment. Stopping entirely and apologising at length is far worse than a quick stumble.
Do I need to have done drama A-level to audition? Not always. Many drama schools care more about potential and instinct than formal qualifications. That said, some schools do list specific entry requirements, so check the admissions criteria for each school you're applying to.
How many drama schools should I apply to? Most students apply to between three and eight schools. Bear in mind that each application takes real time and energy - especially if there are separate application portals involved. Prioritise the schools you'd actually attend.
What's the difference between a drama school and a university theatre department? Drama schools (conservatoires) are vocational training institutions. They train actors, directors, and theatre-makers for professional careers. University theatre departments sit within broader universities, often combine practical and academic study, and offer a different kind of experience. Our guide to choosing between a conservatoire and a university covers this in more detail.
Will I find out on the day? Occasionally, but rarely. Most schools write to you within a few weeks of your audition. Some use a portal to notify you; others contact you by email. You won't usually be told your result while you're still in the building.
Next Step
If you're preparing your audition pieces and want to understand where drama school sits in the wider application timeline, read our full guide to auditions for creative courses - it covers musical theatre, dance, and music conservatoire auditions too.
Applying through UCAS at the same time? Make sure you know about the October conservatoire deadline - it's earlier than most students realise, and missing it closes a lot of doors.
Share this page with your parents if they're trying to understand what audition day actually involves - our guide for parents of creative applicants covers the bigger picture.


